BIO

Meeting the audience owns a minor attention. The depth, honesty and understanding living organically inside the building process of the artwork and the outlook towards the finale result. Although, if the audience does meet the piece, it is extremely important that it will run perfectly. Wisely, my work offers the audience a path to identify with the "bad people" of the society. This leads to greater understanding of crime as a problem. This identify- which brings the audience to an extreme emotional situation- teaches to read and calculate the common human morality all over again and seperate it to different categories. For example: *morality of god's wishes to the "good" way a person should behave, *morality of the specific society where the audience itself rules his life in, *morality of a person to himself/herself Etc. I, as an artist, believe that these conclusions are extremely effective upon the behavioral adjustment of humans standing in front of every law or every justice, and I let myself believe that these conclusions and feelings will benefit well upon society and are able to run a change. Brainwise, my work suggests new ways for information organization, and conversion of documentary information to a work that highly leans on dramaturgy and choreographic work. Artistically, my work brings a very detailed and personal artistic language of an artist that does not take the audience into a consideration, in the best possible way. The work gives the audience complete freedom- to "lose it" or "not to lose it". This versatility lives organically because of an artist that does what she knows she must do, in all of her force, in all of her power, with extreme efforts of hard work and dedication. Because of an artist that takes responsibility for her own work.